Technicolor PostWorks Helps Send 10 Films to SXSW
Sound Savings: Beirut
Technicolor PostWorks Posts PBS’s The Vietnam War
Technicolor PostWorks Prepares 18 Films for Sundance
Tilt-A-World
Technicolor PostWorks has a Good Time
Technicolor PostWorks Finishes Eight Films Screening at the New York Film Festival
Technicolor PostWorks Provides a Colorful “Band Aid” Solution
The long strange trip of Amir Bar-Lev’s new Dead doc
Coloring Outside the Lines
Technicolor PostWorks Supports 13 Tribeca World Premieres
Technicolor PostWorks’ Sam Daley Replicates Black & White Look for Horror Tale “The Eyes of My Mother”
Technicolor PostWorks Prepares 10 Films for Sundance
Technicolor PostWorks Colors a Changing World for Nat Geo’s “Years of Living Dangerously”
TrumpLand gets quick turnaround via Technicolor Postworks
Technicolor PostWorks Blends Art and Technology in Delivering PBS’s “Soundbreaking”
The Color and Sound of Netflix’s The Get Down
Women in Post
A Steady Stream of Sound: The Get Down
Technicolor PostWorks Supports Seven Emmy Nominated Productions
Storage Workflows for 4K and Beyond
Netflix’s ‘Unbreakable Kimmy Schmidt’ gets crisper look via UHD
Maggie’s Plan: Technicolor PostWorks Helps Rebecca Miller Craft a Classic New York Romance
Camera & Color: Collaborative Vision
Technicolor PostWorks Provides Finishing Services for Oscar-Winning Doc “A Girl in the River”
Vittorio Storaro: Passage from Film to Digital
Technicolor PostWorks Readies Eight Films for Tribeca
Technicolor PostWorks Adding 50,000+ Square Feet of Editing Space
Technicolor PostWorks Preps Five Features Premiering at SXSW
Technicolor PostWorks Finishes a Dozen Films for Sundance
Veteran Post-Production Exec Scot Evans Joins Technicolor PostWorks
Technicolor PostWorks Finishes Indie Crime Thriller “Dixieland”
Restoring Filmmakers’ Visions: The Civil War
Technicolor PostWorks Returns to DOC NYC as Signature Sponsor; Preps Five Films for Premieres
Rob Morlano Returns to Technicolor PostWorks as Sr. VP of Sales
Technicolor PostWorks Busy with New and Returning Fall Series
Keeping the Grade Live with Avid & Baselight: Wed 9/30 at 7pm
Technicolor PostWorks Collaborates with Ken Burns and Daniel J. White on “The Civil War” Restoration
Sam Daley on color grading HBO’s ‘Show Me a Hero’
Technicolor PostWorks Helps David Simon Recreate 1980s Yonkers for HBO’s “Show Me a Hero”
Technicolor PostWorks Supports TIFF World Premieres
Technicolor PostWorks Services Emmy Nominees
New FX Comedy “Sex&Drugs&Rock&Roll” Finished at Technicolor PostWorks
TV Land Comedy “Younger” Finished at Technicolor PostWorks
“The Jinx,” Groundbreaking Documentary from Andrew Jarecki and Marc Smerling Finished at Technicolor PostWorks
Charting a Course for an Avid 4K Finish
Technicolor-PostWorks’ Baselight workflow helps limit rendering
Technicolor PostWorks John Crowley on color grading ‘The Americans’
Frank Sinatra and Steve Jobs Documentaries Finished at Technicolor PostWorks
Technicolor PostWorks Finishes Features and Docs for Tribeca Premieres
Technicolor PostWorks Finishes “Boardwalk Empire” on a High Note
Ten Thousand Saints DI at Technicolor PostWorks NY
Technicolor PostWorks Supports SXSW Films
Technicolor-PostWorks Prepares Films for Sundance
Technicolor-PostWorks Acquires The Room
OUTLOOK 2015: Technicolor-PostWorks’ Joe Beirne
The Who’s Who of Flame Premium
‘Into the Woods’ posts at Technicolor-PostWorks NY
Technicolor-PostWorks Contributes to Nine Golden Globe Nominated Features and TV Shows
Mastronardi Joins Technicolor – PostWorks as SVP for Feature Sales
Technicolor – PostWorks New York Provides Post-Production Services to DOC NYC Grand Jury Winner “Cairo Drive”
Technicolor – PostWorks New York Serves as Official Sponsor of DOC NYC
Film Lab New York to Close
Technicolor–PostWorks Crafts a Period Look for “Stonehearst Asylum”
PostWorks provides sound editorial and mix facilities for A Walk Among the Tombstones.
Technicolor – PostWorks New York Serves as Official Sponsor for the Hamptons International Film Festival
Technicolor–PostWorks Helps Bring Marcus Robinson’s “Rebuilding the World Trade Center” to HISTORY
Technicolor-PostWorks New Work Supports 2014 Emmy Winners
The Room Finishes Bruce Springsteen’s “Hunter of Invisible Game”
Technicolor-PostWorks, New York, Salutes 2014 Emmy Nominees
Technicolor-PostWorks New York Adds Colorist Anthony Raffaele
Heavy Weather: Technicolor – PostWorks New York Completes Post for “Noah”
Technicolor-PostWorks, New York, Collaborates with Tribeca Filmmakers
Romancing “Her”
Technicolor – PostWorks New York Supports Numerous Films Screening at Sundance
Technicolor – PostWorks New York Names Clark Henderson to Lead Burgeoning Film Unit
PostWorks Brings Feature-Style Finishing to Non-Fiction TV
Technicolor – PostWorks New York Services Three Films Screening at Camerimage
Technicolor – PostWorks New York Serves “The Butler”
Technicolor – PostWorks New York Provides Finishing Services for Indie Comedy “Last Weekend”
Technicolor – PostWorks New York Applies the Finishing Touch to Indie Drama “Wish You Well”
The Room Provides Alex Gibney with a Place to Call Home
Colorist Jack Lewars Joins Technicolor – PostWorks New York
Technicolor – PostWorks’ Tim Stipan Applies the Finishing Touch to Indie Drama “Disconnect”
PostWorks Hosts Jarrett Creative and “Boston’s Finest”
Technicolor – PostWorks New York Prepares “Bluebird”, “Coach” for Tribeca Premieres
Technicolor – PostWorks New York Contributes to Eight Golden Globe Nominees
Sandy: Staffs of Technicolor – PostWorks New York and PostWorks Work Around the Clock to Restore Services in the Aftermath of a Superstorm
The Room Debuts New Finishing Facility inside Technicolor – PostWorks New York
Postproduction gets credit
A Perspective on Post
Governor Cuomo Triples the Empire State Film Post Production Credit
Technicolor – PostWorks New York Names Jazwinski and Herzfeld to Head Team Sales
Technicolor – PostWorks New York Explores the Colors of Meth Addiction
Technicolor – PostWorks New York Posts Eight Sundance Films
Technicolor – PostWorks Posts Wes Anderson’s “Moonrise Kingdom”
Technicolor – PostWorks New York Posts Groundbreaking Documentary on Slavery and Human Trafficking
Technicolor – PostWorks New York Provides Grading Services for Three ASC-Nominated Television Productions

Technicolor PostWorks has a Good Time

Senior colorist Jack Lewars and conform editors Ryan McMahon and Jeff Cornell on finishing The Safdie Brothers’ electric crime drama, Good Time.

Technicolor PostWorks has a Good Time – Post Magazine, September 2017

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